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Hidden hard by Miltinis sculpture
Juozas Miltinis (September 3, 1907 in Akmene, Lithuania – July 13, 1994 in Panevežys, Lithuania) was a Lithuanian theatre director and founder of the Panevežys Drama Theatre. Miltinis has brought up a number of actors.
Biorgraphy
From 1932 on, Miltinis studied in Paris, in the school of theatrical art conducted by Charles Dullin. After his return to Kaunas, Miltinis organized here his own theatrical studio and propagated the main tenets of his teachers, Charles Dullin and Jacques Copeau. In 1937-38 he studied in London.
The Panevežys Drama Theatre was founded in 1940 and Miltinis was appointed as its chief art director. The main body of the young Panevežys Theatre was made up from the pupils of this studio.
February 15, 1954 he was dismissed from the Theatre directors position for ideological reasons, and returned to the position only in 1959. Miltinis began to implement his ideas that he brought from Paris. New concept of theatre and the hero of the play was applied. Militnis retired in 1980[1].
Legacy
In his theatre Miltinis raised many famous Lithuanian actors. Most notable of them are Donatas Banionis, Vaclovas Bledis, Gediminas Karka, Stepas Kosmauskas, Eugenija Šulgaite, Kazimieras Vitkus, Regina Zdanaviciute.
Panevežys County library preserves the bibliographic heritage of Juozas Miltinis. October 8, 2007 the memorial statue of Juozas Miltinis was opened in central square of Panevežys.[2]
http://en.wikipedia.org/wiki/Juozas_Miltinis
http://www.miltinio-teatras.lt/
Apie teatra
Šiek tiek daugiau nei šešiasdešimt metu praejo nuo to laiko, kai Juozas Miltinis pradejo savo didiji kurybos žygi Panevežyje. Tuomet iš Kauno jis drauge su buriu jaunu vaikinu ir merginu, 1940-uju gruodžio 1 diena Valstybes teatre sekmingai perejusiu konkursa, atvyko i tylu provincijos miesta visam likusiam gyvenimui. Pirmaja premjera N.Pogodino pjese "Sidabrinis slenis" (1941 03 15) su ypatingu entuziazmu sutiko to meto spauda, pažymedama jaunuju aktoriu nepaprasta užsidegima, nuoširduma, ansambliškuma. Artistai ne vaidina, kaip kituose teatruose, o gyvena!
Susipažines su M.Reinharto teatrines studijos eksperimentais: spektakliu muzikiniu ir dekoratyviniu apipavidalinimu, subtilia ir poetiška artistu kuryba, ju ypatinga plastika, klasikos kuriniu ivairiausiu žanru interpretacija, sprendžiant amžininku problemas, susižavejes teatro eksperimento dvasia bei reikšme, po nesekmingos praktikos Šiauliu dramos teatre (1931 - 1932) J.Miltinis ieškoti didžiuju teatro vertybiu savo iniciatyva išvyko i Paryžiu. Paryžiuje J.Miltinis per visus tuos ketverius metus (1933 - 1936) tarytum brangu raudona vyna (ji gere iki pat gyvenimo pabaigos) siurbe i save pasaulines kulturos aromata. J.Miltinis busimo teatro kredo iš dalies suformulavo 1937 - 1939 m. straipsniuose "Naujojoje Romuvoje" ("Musu dramos teatro problema", "Teatro istatymu kai kurie netobulumai", "Makbetas" Valstybes teatre" ir kt.): lietuviu teatras, sudarydamas repertuara, privalo žinoti jo "subtilu ryši su tautos dvasinemis aspiracijomis", akcentuodamas poetinio, filosofinio, intelektualaus teatro krypti.
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