V PRIPADE RIZIKA ODHALENÍ, NELOGUJTE.
PRIJDTE JINDY!!!
Klasická filmovka. Všude v okolí cache je doslova
premudlíno. Doporucuji tedy pro odlov ranní nebo vecerní hodiny.
Budte tedy pri odlovu velmi obezretní. EN:Classical filmbox. Advise
for postponement morning or dinner time. Wake at postponement very
careful.
Stavovské divadlo
Stavovské divadlo (puvodní název Hrabecí Nosticovo divadlo, za
komunismu Tylovo divadlo) je divadlo v Praze na Ovocném trhu.
Budovu dal postavit jako scénu pro verejnost osvícený patriot hrabe
František Antonín Nostic-Rieneck. Plány divadla nakreslil
hrabe Künigel a stavbu provedl dvorní stavitel Antonín Haffenecker.
Stavba trvala dva roky, klasicistní budovu otevrela 21. dubna roku
1783 Lessingova tragédie Emilia Galotti. Divadlo tehdy pojalo jeden
tisíc návštevníku. Casem byla kapacita, pro vetší
pohodlí diváku, snížena na dnešních 659 míst.
Puvodne mel hrabe Nostic-Rieneck predstavu uvádet v divadle
nemeckou cinohru a italskou operu. Brzy však byl repertoár
rozšíren i o ceskou produkci a to v lednu roku 1785
veselohrou Gottlieba Stephanieho Odbehlec z lásky synovské.
V divadle po svém príjezdu do Prahy v roce 1787 vystoupil sám
Mozart a na koncerte 20. ledna osobne dirigoval svoji Figarovu
svatbu, která ve Vídni nedosáhla úspechu. Nadšení
Pražanu bylo veliké. Mistr dojat srdecným prijetím, se rozhodl
složit pro Prahu operu Don Giovanni. Premiéru této opery v
roce 1787 opet sám dirigoval. Zejména tato opera divadlo proslavila
a Mozartovými operami se stalo Stavovské divadlo známým po celém
kulturním svete. Další premiéra Mozartovy opery La clemenza
di Tito se odehrála pri korunovaci císare Leopolda II. ceským
králem roku 1791.
Pozdeji divadlo odkoupili od hrabete ceští stavové a
prejmenovali Nosticovo divadlo na Stavovské. František
Škroup se v roce 1827 stal druhým kapelníkem Stavovského
divadla. Stavovské divadlo ve smyslu ceském nabývá pak významu
až po první svetové válce, kdy bylo pricleneno k divadlu
Národnímu.
Po revoluci v roce 1945 byla zahájena predstavení ve Stavovském
divadle Jiráskovou hrou Lucerna. Soucasne s novým divadelním
statutem dostalo dne v ríjnu 1949 Stavovské divadlo i nové jméno
– Tylovo divadlo.
Dnes je Stavovské divadlo druhou scénou Národního divadla. Vedle
cinoherního souboru zde pusobí také opera Národního divadla, která
zde provozuje až na výjimky predevším mozartovský
repertoár. Srdci ceského cloveka je blízké a drahé nejen jako
dejište desítky let trvajících boju o ceské divadlo, ale
predevším jako místo, kde poprvé zaznela naše národní
hymna.
EN:
History
The Estates Theatre was built during the late 18th century in
response to Enlightenment thought regarding general access to the
theatre, and theatres themselves demonstrating the cultural
standards of a nation. The Estates Theatre was built in a little
less than two years by the aristocrat František Antonín
Count Nostitz Rieneck. In its first few years of existence it was
known as Count Nostitz’s Theatre. The theatre opened in 1783
with a performance of the tragedy Emilia Galotti by the German
playwright Gotthold Lessing. The building itself was constructed in
a Neoclassical style and remains one of the few European theatres
to be preserved in its almost original state to the present day.
Its motto, Patriae et Musis (To the Native Land and the Muses),
which is inscribed above the portal, should also be noted as the
original intentions of its creator.
The Estates Theatre underwent several changes in its history. It
first acquired the name Royal Theatre of the Estates in 1798 when
it was purchased by the Czech Estates. With the opening of the
Provisional Theatre in 1862, the Theatre of the Estates was
dedicated to a German ensemble and renamed the Royal Provincial
German Theatre. During the period between 1920 and 1948 the theatre
regained the name Theatre of the Estates and became affiliated with
the National Theatre. In 1948 the theatre was renamed the Tyl
Theatre (after dramatist J.K. Tyl) and would be known as such until
1990 when, at the end of an eight year reconstruction project, it
became known again as the Estates Theatre.
Productions and artistes
While the theatre was initially built with the intention of
producing German dramas and Italian operas, works in other
languages were also staged. Czech productions were first staged in
1785 in order to reach a broader Czech audience but by 1812 they
became a regular feature of Sunday and holiday matinees. The
somewhat political nature of these performances later led to idea
of founding a National Theatre after 1848 with the defeat of the
revolution and the departure of J.K. Tyl. Many of the founding
Czech dramatists were involved in the Estates Theatre, such as the
brothers Thám (Karel and Václav), J.K. Tyl, Ján Kollár, and so on.
The first Czech modern opera, František
Škroup’s The Tinker, was staged here in 1826 and in
1834 the song “Where is my Home?” (Kde domov muj) was
first sung (words by Tyl, music by Škroup), which would
later become the Czech national anthem.
The Estates Theatre was not limited to native participants; many
famous European artists were also active. Individuals such as Carl
Maria von Weber, Anton Rubinstein, Karl Goldmark, and Gustav Mahler
conducted at the Estates Theatre. Other famous names include the
actors A.W. Iffland, F. Raimund, J.N. Nestroy, along with opera
singer Angelica Catalani and violin virtuoso Niccolò Paganini. One
of the Estates Theatre’s many claims to glory is its strong
link with Wolfgang Amadeus Mozart, who directed the world premiere
of his opera Don Giovanni here in October 1787. Also, in 1791,
Mozart’s La Clemenza di Tito was staged in public here for
the first time in celebration of the coronation of Emperor Leopold
II. It is the only theatre left standing where Mozart
performed.
Zdroj: Wikipedie