Frederiksberg kirke - Frederiksberg kirker Traditional Cache

FREDERIKSBERG KIRKE - 1732-34

Arkitekt: Felix Dusart

Kirken, der er moderkirke for alle de frederiksbergske sognekirker, er opført som en protestantisk centralkirke til hollænderne i Ny-Hollænderby og har sin egen kirkegård.

Kirkens teglstensmure med hvide hjørnelisener bærer et ottesidet pyramidetag med lanterne-spir. Tagets tegltækning blev 1876 udskiftet med skifer. I 1782 blev der ved østsiden bygget et tøndehvælvet sakristi, som forøgedes 1900 med en tresidet afslutning ved arkitekt C. Lendorf, der 1904 også udvidede det 1865 opførte våbenhus. Kirkerummet har form som en ottekant med træpulpiturer, dækket af en flad kuppel af træ med stukornamenter.
Alteret er udformet som et prædikestolsalter. Heri sidder et maleri fra 1841 af C.W. Eckersberg: Nadveren. Stagerne fra 1654 stammer fra en af kirkens forgængere. Loft og alterskranke bærer Christian VIs monogram. Døbefonten i nygotik er fra 1862. Antependiet fra 1977 er tegnet af Mogens Jørgensen.

Orgelet: Marcussen & Søn, 1947 - 31 stemmer, orgelfacade i rokokostil - 1754

FREDERIKSBERG CHURCH - 1732-34

Architect: Felix Dusart

The church is the mother of all parish churches in Frederiksberg. It was built as a protestant, centrally planned church for the Dutch settlers in Ny-Hollænderby. It has its own cemetery.

The church has brick walls with white corner pilasters. The roof is an octagonal pyramid, topped by a lantern and steeple. In 1876, the tiled roof was replaced with slate. In 1782, a barrel-vaulted sacristy was added on the eastern wall. The sacristy was given a three sided extension in 1900, designed by C. Lendorf, who also designed the 1904 enlargement of the narthex, originally from 1865. The church is octagonal with wooden galleries, covered by a flat wooden dome with stucco ornamentation.
The pulpit-altar has has a painting of the Last Supper from 1841 by C.W. Eckersberg. The candlesticks from 1654 are from a predecessor of the present church. The ceiling and the altar rail carry the monogram of Christian VI. The neo-gothic baptismal font is from 1862. The altar frontal cloth from 1977 was designed by Mogens Jørgensen.

The organ is by Marcussen & Søn, 1947. 31 stops, rococo organ case from 1754.