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Belly Of The Beast Traditional Cache

This cache has been archived.

Big Ragnar: As the owner has not responded to my previous log requesting that they check this cache I am archiving it.

Regards

Darren
Big Ragnar - Volunteer UK Reviewer
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Hidden : 10/2/2013
Difficulty:
2.5 out of 5
Terrain:
1.5 out of 5

Size: Size:   small (small)

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Geocache Description:

Access to this cache can be gained from several walks to the final destination, there is ample parking in two locations that is within a reasonable distance from the cache. This cache is also wheelchair accessable and is suitable for Geodogs and kids aswell-although please ensure that you clean up after your Geodogs-there are plenty of dog litter bins along the way.

This is first cache we've hidden hope you enjoy!


The sculpture is the 'Mythical Beast' desgined by scupltor Gwen Heeney. The Beast was completed in 1992 having taken 12 months to design. He's a carved brick sculpture which incorporates seating & planting. The form of the beast has a number of inspirations including; the magnificent Ohio Serpent Mounds, prehistoric mammals, the bone structure of ancient beasts & celtic dragon mythology, Gaudi in Barcelona, medieval gargoyles & the dragons on the cloisiers at Parc Margam also played a part. The shape of the spine was based on the spiral formed by the 'magic rectangle' used in Gothic architecture as a basis for the shape & layout of cathedrals.The Mythical Beast measures 500cm high x 3500cm long!

There were a number of sculptures were commissioned for the Garden Festival of Wales in 1991/2 & some works still remain on site. Some can be seen on route to the cache.

Mythical Beast was sponsored by Ibstock Bricks plc, Brunswick Contractors & Curtins Engineers. Information from Festival Park: 'Ibstock Bricks sponsored the entire first stage of this project, giving Gwen the run of their factory for 10 months, all the bricks to create the beast, & technical advice. Gwen carved & assembled the beast out of special wet bricks, then disassembled it, numbered each individual brick & fired them. The men at the factory treated 'Billy' as their own, handling every piece of him with care; when the bricks finally arrived on site, not one of the 30,000 pieces was missing. The second stage of the project, rebuilding the beast, was sponsored by Brunswick. Gwen & her artist assistant, Alex Achurch, were joined by Brunswick's Idwal, Inkpen, Mansel & Brian. Idwal & the others had an immediate vision of what Gwen was aiming for & proceeded to reconstruct the beast from the numbered bricks without ever seeing a plan. The craftsmanship & dedication of the builders played a major part in the success of the project. Gardens are the central theme of this piece. It was Gwen's intention ultimately to create a beast that was a garden, a structure that evoked a feeling of overwhelming presence of animal, nature, beauty and power.'

 

 

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