CERKEV SV. MOHORJA IN FORTUNATA
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(SL) Cerkev stoji na samem, sredi gozda. Razkrije se nam šele, ko se ji približamo na nekaj metrov. Tako pa ni bilo nekoč, ko so skoraj do nje segali vinogradi, ko so jih tu prvi zasadili že žički kartuzijani. Zato se je ta konec s cerkvijo imenoval Gorice. Prvotno je imela cerkev raven lesen strop tako v ladji kot tudi v tristrano zakjučenenem prezbiteriju, ki je zaradi tega tudi brez zunanjih podpornikov. Cerkev so zgradili v zgodnjem 15. stoletju in maja leta 1487 je bilo v njej posvečenih troje oltarjev. Na čas prezidov po 1500 kažeta polkrožni portal pod zvonikom in zaobljen portal z ravnim zaključkom, ki vodi v zakrstijo. Tako je bil šele ob tej prezidavi prezbiterij obokan in s to modernizacijo so za oltarjem precej razširili šilastoločno okno. Zvonik pa so prizidali v poznem 17. stoletju, ko je mnogo cerkva dobilo ta višinski poudarek. Dokončno arhittekturno podobo je podružnici dal barok. Takrat so se povsod razcvetele obnove cerkva in izpopolnjevala njihova oprema. Leta 1737 so na južni strani ladje odprli ali pa samo modernizirali vrata, ladjo so pa leta 1753 obokali. Ker tanki zidovi ladje niso zmogli prevzeti vse teže zidanega oboka, so jo od znotraj okrepili s slopi, kar je bila pogosta rešitev pri zamenjavah lesenih stropovz zidanimi oboki. Iz časa obokanja ladje je tudi pevski kor, ki se z valovitimi linijami in skromnim štukaterskim okrasom lepo zliva z ladijskim prostorom. Urbano notranjščino je krasila baročna oprema, od katere pa žal ni ohranjenega nič. Kljub lični izvedbi obnovitvenih del je cerkev dobila tlak šele v tem stoletju. Kmalu po obokanju je cerkev leta 1756 obiskal vazitator in v njej videl poleg velikega še stranska oltarja sv. Urbana in Matije. Leta 1881 so bnovili notranjost in naslednje leto sta bila v cerkev nameščena veliki in levi oltar sv. Urbana, ki ju je izdelal celjski podobar Franc Krašovic. Sta povprečno delo, značilno za čas, ko je zamrla velika podobarska tradicija. V osrednji niši velikega oltarja ja sv. škof Mohor in ob njem diakon Fortunat z odprto knjigo in napisom. Levi slavoločni oltar ima v niši kip papeža Urbana, v atiki je pa ovalna slika sv. Jožefa z detetom v naročju. Oltar je naslednjik istiimenskega sv. Urbana kot zavetnika vinarje. (EN) The church stands alone, in the middle of the forest. It only reveals us when we get closer to a few meters. Thus, it was not once when vineyards were almost up to it, when the first Carthusian wreaths were first planted there. That is why this end with the church was called Gorizia. Originally, the church had a level wooden ceiling both in the ship as well as in a triple-locked presbytery, which is why it also has no external supports. The church was built in the early 15th century and in May 1487, there were three altars dedicated to it. At the time of the rebuilding of 1500, the semicircular portal under the bell tower and a rounded portal with a flat finish leading to a crypt. Thus, only after this renovation, the presbytery was arched and, with this modernization, the high-rise window was considerably enlarged by the altar. The bell tower was built in the late 17th century, when many churches received this height. The bureaucracy gave the baroque the final architectural image. At that time, the churches were redeveloped and their equipment improved. In 1737, on the south side of the ship they opened or only modernized the doors, and in 1753 the ship was lined up. Since the thin walls of the ship were unable to take over the weight of the built-in arches, they were reinforced from the inside by a slope, which was a common solution for replacing wooden ceilings with built-in arches. From the time of the shackling of the ship, there is also a singing trough, which, with its wavy lines and modest knitted decoration, fits nicely with the ship's space. The urban interior was decorated with baroque equipment, of which, unfortunately, nothing is preserved. Despite the personal execution of the restoration works, the church has been under pressure only this century. Soon after the glittering, in 1756 the church visited the voyager and saw in it, beside the great side altar of St. Urban and Matija. In 1881, the interior was restored, and the following year, the large and left altar of St. Urban, created by the Celje suburban Franc Krašovic. The average work, typical of the time when the great tradition of tradition was lost. In the central niche of the great altar i sv. Bishop Mohor and beside him the Fortunat diacon with an open book and inscription. The left archaic altar has a sculpture of the Pope Urbana in the niche, and in the attic there is an oval picture of St. Joseph with a child in his arms. Altar
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