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Peter Gunn
Henry Mancini (1924-1994) wrote innumerable songs and film scores but none - not even the Pink Panther or Moon River - have endeared themselves to fans and music aficionados on a par with the theme from Peter Gunn. Written in 1958 near the height of Pops popularity, Peter Gunn was composed for Blake Edwards' private detective television series of the same name. But following the success of their 'Briefcase Full of Blues' album Jake and Elwood included Peter Gunn in the soundtrack for The Blues Brothers movie and thereafter divorced the Theme from its origins.
An internet search reveals Peter Gunn has been covered by nearly every band and musician ever to step onto a stage. One site lists a modest 127 recorded cover versions but a youtube search returns over 77,000 results. It has been covered by such notables as Elvis, Quincy Jones, Brian Setzer, Jimi Hendrix, Aerosmith, Duane Eddy, Emerson Lake & Palmer, Jeff Beck, and it continues to resonate with orchestras the world over, The Art of Noise, The Cramps, and many many more including a praiseworthy effort by Dorian Blu who recognize Peter Gunn at the root of the B52's Planet Claire and who demonstrate the comparison with a near perfect segue from the one to the other.
So esteemed is Mancini's Theme for Peter Gunn that in 2010 it was added to the Library of Congress' National Registry as the only television theme music included in the Registry celebrating the most important audio recordings of all time. Such popularity seems at odds with a "one-chord" song with a "super-simple top line".
What is the secret of Peter Gunn's success? According to Gary Hoey it has "one of the baddest riffs ever written on the electric guitar." Of course, Hoey should know better because the song was not written on or for electric guitar. In fact, it's a simple piece composed at the piano and arranged for jazz wind section in a noir style. But Hoey isn't far off the mark either. It is written in F major, in 4/4 time, and its ostinato (riff) is a nine-over-eight-note bassline that can be, and often is, doubled on any instrument including electric guitar.
But a rhythm, even a uniquely identifiable one, is not enough by itself so Mancini gave Peter Gunn a melody that is even simpler than its trademark riff, and the combination of the two act as a springboard for never-ending arrangements and improvisations that are satisfying to musicians and audiences alike. Peter Gunn, then, is driven by a bassline as unrelenting as a shamus on your tail and by a melody that shoots as pointed and direct as the 45 he carries in his shoulder holster. To steal a phrase, "It's simple, stylish, and cool enough to stop global warming."