In the early days, Lukang was prosperous and prosperous, and immigrants of different nationalities were constantly fighting against each other in poor security, which was the coveted target of bandits. In order to protect their lives and property, residents set up gates around their homes. As a result, gates are scattered all over the streets, which is a major feature of the early Lugang Street Town. Aimen is the gate of the boundary between settlements. It has the dual function of defense and realm. Therefore, there is a saying that "evil is not enough to pass the gate." The only remaining one is located in an alley called Houchai Alley. A brick building resembling an archway, with the title "Door Welcome Car". Yang Yingfeng uses a realistic technique to carefully and clearly condense the scenery of the Aimen and the alleys behind it in the picture. The brick double-storey building can show the economic strength of Lukang in the early days. Looking backward from the frame of the Aimen, The laneway lines at the rear form a deep spatial extension, and the two young children in the corner bring infinite hope to this quiet and ruined wall.
早期的鹿港富裕繁榮，各籍移民混雜械鬥不斷治安不佳，是盜匪覬覦的目標。居民為了保衛生命財產，於是在家園範圍四周設置隘門，因此隘門遍布大街小巷，為早期鹿港街鎮的一大特色。隘門即為聚落間界線的關口，具有防禦及境界的雙重功用，故有「惡不過隘門」之說。目前碩果僅存的一座位於一條名叫後車巷的小巷。造型類似牌坊的磚造建築，上題「門迎後車」。楊英風以寫實的手法細膩清楚的將隘門及其後的小巷景致濃縮於畫面中，由磚製的雙層樓建築可以看出鹿港早期的經濟實力，從隘門的框架中向後望，後方的巷道線條形成極具深度的空間延伸，角落的兩個幼童為此寧靜的頹垣殘壁帶來無限希望。