Why Isn't There a Cache Here?
This is a small series of caches set out in spaces that feel like they should have a cache (or previously did, and is now gone). All the caches placed are glamoured, suspended caches. They contain a scroll but no quill, so thy cacher must bring thy own. There is no room for extra components, so hold on to thy familiars for more fitting finds.
May you locate what you seek, oh cacher mine...
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
Her character may have originated from Welsh mythology as well as from other ancient and medieval myths and historical figures. The earliest documented account, by Geoffrey of Monmouth in Vita Merlini (written c. 1150) refers to Morgan in association with the Isle of Apples (Avalon), to which Arthur was carried after having been fatally wounded at the Battle of Camlann, as the leader of the nine magical sisters unrelated to Arthur. Therein, and in the early chivalric romances by Chrétien de Troyes and others, Morgan's chief role is that of a great healer. Several of numerous and often unnamed fairy-mistress and maiden-temptress characters found through the Arthurian romance genre may also be considered as appearances of Morgan in her different aspects. Source