NOTE: La cache n'est pas
aux coordonnées publiées. The cache is not at the posted
coordinates.
Voici la version féminine et musicale de VE2OGH qui refait
surface pour célébrer Passion et Amour en ce mois de février 2006
avec sa nouvelle série BEL CANTO.
Le terme italien 'BEL CANTO' se traduit littéralement par
'beau chant'. 'Bel canto' est aussi le nom donné à la période
d'opéra italien, qui a produit l'un des styles musicaux les plus
excitants et les plus virtuoses de l'histoire de la
musique.
Il est né le 29 février 1792 à Pesaro et il est décédé le
13 novembre 1868.
Il écrit son premier opéra, le Barbier de Séville (1816), en treize
jours. C'est le premier d'une série de quarante opéras, dont les
plus joués et les plus appréciés de nos jours sont l'Italienne à
Alger, (1813), la Pie voleuse, (1813), le Turc en Italie, (1814),
et Semiramide (1823).
Bel canto means, most literally, "beautiful singing." It is a term
used to describe all Italian singing, but in particular the light,
bright quality that Italian opera singers use to charm audiences.
Despite bel canto's popularity, it is shrouded in obscurity. The
history of this art is a complicated and mysterious
one.
Bel
canto was initially used by men, and, at its earliest, by male
religious singers. The Italian castrati were famous for their use
of this singing style. During the time of the Renaissance, the
period when opera was created in Italy, bel canto became the
singing style used for this new art form. Later, it became famous
through use by other operatic singers, notably sopranos. Today, it
is sopranos like Joan Sutherland and Kathleen Battle that keep this
tradition alive.
Born:
Pesaro, Papal States, 29 Feb. 1792 Died: Passy, France (near
Paris), 13 Nov. 1868, engraving ...
He occupied an unrivalled position in the Italian musical world of
his time, winning considerable success relatively early in his
career. The son of a horn-player and a mother who made a career for
herself in opera, as a boy he had direct experience of operatic
performance, both in the orchestra pit and on stage. His operas
from his first relative success in 1810 until 1823 were first
performed in Italy. There followed a period of success in Paris,
leading to his final opera, Guillaume Tell, staged in Paris in
1829. The revolution of 1830 prevented the fulfillment of French
royal commissions for the theatre, but in his later life he
continued to enjoy considerable esteem, both in Paris, where he
spent much of his last years, and in his native Italy. There he
spent the years from 1837 until 1855, before returning finally to
France, where he died in 1868.
He wrote three dozen or so operas, Il Barbiere di Siviglia (The
Barber of Seville) is probably the best known, a treatment of the
first play of the Figaro trilogy by Beaumarchais on which Mozart
had drawn thirty years before in Vienna. Other well known comic
operas include La Scala di Seta (The Silken Ladder), Il Signor
Bruschino, L'Italiana in Algeri (The Italian Girl in Algiers), Il
Turco in Italia (The Turk in Italy), La Cenerentola (Cinderella)
and La Gazza ladra (The Thieving Magpie). More serious subjects
were tackled in Otello, Semiramide, Mose in Egitto (Moses in Egypt)
and the French Guillaume Tell (William Tell), based on the play by
Schiller. The Overtures to many of these operas are a recurrent
element in the repertoire of the concert-hall.
QUI EST-IL?
WHO IS HE?
N __ __°__ __.__ __ __ W
__ __°__ __.__ __ __
Prénom
Nom
First Name
Second Name
1= B
G S
1= B K V
2= T H W
2= D L X
3= C P U
3= F N Z
4= A L V
4= I2nd S1st
5= N1st Q
5= J O
6= J O2nd R
6= H G Y
7= D K Y
7= R Q W
8= F M Z
8= E P U
9= O1st I X
9= C
I1st T
0= E N2nd
0= A M S2nd
Bonne
Chance! Good Luck!
Apportez votre propre
crayon. Bring your own
pencil.