Côa Valley Rock-Art [World Heritage Site]
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Owner:
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cache.a.lot
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Released:
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Thursday, February 18, 2010
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Origin:
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Guarda, Portugal
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Promote the Prehistoric Rock-Art Sites in the Côa Valley
Côa Valley Rock-Art
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In the mountains of northeast Portugal is the Côa Valley, home to a remarkable set of prehistoric rock carvings that have been designated a World Heritage Site.
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History
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The rock art at Côa was created over several thousand years, beginning in the Upper Paleolithic Era (40,000-10,000 BC) and continuing intermittently all the way to the 20th century AD! The themes of the earliest engravings are mostly of animals, especially mountain goats, horses, aurochs (wild hulls) and deer. The first three are the most common and are characteristic of the earliest phases of art in western Europe. There are also some rare engravings of fish and one instance of a human form during this period, at the end the Upper Paleolithic Age (at Ribeira de Piscos).
These Palaeolithic rock engravings in the Côa Valley were discovered in the late 1980s as part of the planning for a major dam project, which, if completed, would have almost entirely submerged the rock art. But after an international campaign of scientific and media pressure (under the slogan, "Petroglyphs can't swim"), combined with a change of government in Portugal, work on the dam was stopped.
In 1996 the Côa Valley area became a designated archaeological park and the site was added to the UNESCO World Heritage List in 1998.
What to See
The rock-art sites of the Côa Valley are all protected inside a vast archaeological park. There are three main sites: Canada do Inferno; Ribeira de Piscos; and Penascosa.
Canada do Inferno is a 130-meter-deep canyon made by the Côa River as it flows into the Douro. Most of the carvings at the site have been submerged under shallow water as a result of construction of the Pocinho Dam. Prior to this, the area was a beach lined with east facing, vertically layered rock panels ideal for petroglyphs. Here you'll see paleolithic engravings of ibexes, horses, aurochs and fish. Visits begin at the Park Office at Vila Nova de Foz Côa (N41° 04.915' W007° 08.440').
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Ribeira de Piscos is at the south end of Canada do Inferno. This area has fewer petroglyphs than the canyon, but its images are better known. One rock panel depicts two horses crossing their heads; another shows a human figure drawn over a large auroch. At higher elevation there is a panel with extraordinarily realistic fine line engravings of four horses. Visits start at the Visitor Center at Muxagata (N41° 02.199' W007° 10.058').
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Penascosa is 1 km south of the Ribeira de Piscos site on the other side of the Côa. Here, where the valley opens up, a relatively extensive beach formed from river deposits. Carvings depict ibex, horses, aurochs and some fish. In several cases, the artist tried to convey the concept of animation: in one apparent mating scene, a mare is mounted by a stallion whose three heads suggest the downward movement of his neck. Visits begin at the Visitor Center at Castelo Melhor (N41° 01.532' W007° 03.999').
At the Quinta da Ervamoira (N41° 01.190' W007° 06.763'), in the heart of the archaeological park, is a museum that describes of the region and its ancestral customs, including ancient bread making and Douro wine production.
In the Spring of 2010 the Museum of Art and Archeology of Côa Valley (N41° 04.848'N W007° 06.590') will be open. The museum is carved in the landscape just like a rock, with a magnificent view over the Côa and Douro. It will show the history of the engravings throughout the Côa Valley.
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from SacredDestinations.com |
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