I Can See For Miles and Miles - The Who Traditional Cache

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biffo69: Disabled because we no longer cache

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Hidden : 7/1/2010
Difficulty:
1 out of 5
Terrain:
1.5 out of 5

Size: Size: small (small)

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Geocache Description:

A road side cache. Spectacular views, similar to the Mochrum cache views but this cache can be done with a vehicle.

Small box for small items.

This cache can link up nicely with others nearby Covenanters Memorial to Cargill, Home on the Range and On a Clear Day. Or can be a
cache and well not really a dash at 15MPH
on the single track road.

Look out for tractors. Enjoy the cache.

"I Can See for Miles" is a song written by Pete Townshend of The Who, recorded for the band's 1967 album, The Who Sell Out. It was the only song from the album to be released as a single, on 14 October 1967. It remains The Who's biggest hit single in the USA to date, and their only one to reach the Top 10 of the Billboard Hot 100.

Recorded in several separate sessions in studios across two continents, the recording of "I Can See for Miles" exemplifies the increasingly sophisticated studio techniques of rock bands in the late 1960s. The backing tracks were recorded in London, the vocals and overdubbing were performed in New York at Talentmasters Studios, and the album was mastered in Los Angeles at the Gold Star Studios.
It reached #10 in the U.K. and #9 in the U.S. Though these figures would seem successful to most bands, Townshend was disappointed. He is quoted as saying, "To me it was the ultimate Who record, yet it didn't sell. I spat on the British record buyer."
The song may have inspired The Beatles' "Helter Skelter". Paul McCartney recalls writing "Helter Skelter" after reading a review of The Who Sell Out in which the critic claimed that "I Can See for Miles" was the "heaviest" song he'd ever heard. McCartney had not heard the song, but wrote "Helter Skelter" in an attempt to make an even "heavier" song than the one praised in the review.
"I Can See for Miles" was rarely performed live by The Who during the Keith Moon era; the complex vocal harmonies were difficult to replicate on stage, as was the percussion style found on the original recording. The song was performed on The Smothers Brothers Comedy Hour, but it was mimed. It was performed more regularly beginning in 1979 when Kenney Jones became the band's drummer, albeit in a much more straightforward rhythm. It was also played at nearly every show of the group's 1989 tour with Simon Phillips on drums and has been performed a handful of times with current drummer Zak Starkey.

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