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Silverchair: 1995-1999 Traditional Cache

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Hidden : 3/5/2016
Difficulty:
2 out of 5
Terrain:
1.5 out of 5

Size: Size:   micro (micro)

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Geocache Description:

#7 in the Heavy Metal Music Series

When people think of Heavy Metal they picture a bunch of long haired guys with a ton of hair spray, women's make up and wearing skin tight Zebra Pants but that was not for me!! The kind of bands I like wear plain jeans and t-shirts. Some of the bands in this Series are not technically Heavy Metal per sa, it's more like heavy guitar crunching music which was all spawned from the term "Heavy Metal".


I liked them from '95-'99 then they changed their style and went in a totally different direction which is not to my liking. So if you wanna rock out I suggest the first 3 albums.

Silverchair were an Australian rock band, which formed in 1992 with the line-up of Ben Gillies on drums, Daniel Johns on vocals and guitars, and Chris Joannou on bass guitar. The group got their big break in mid-1994 when they won a national demo competition conducted by SBS TV show Nomad and ABC radio station, Triple J. The band were signed by Murmur, and were successful on the Australian and international rock stages.

As of 2011, Silverchair have won a record number of 21 ARIA Music Awards from 49 nominations. The band have also received six APRA Awards with Johns winning three songwriting awards at the 2008 ceremony. All five of their studio albums have peaked at number-one on the ARIA Albums Chart: Frogstomp (1995), Freak Show (1997), Neon Ballroom (1999), Diorama (2002) and Young Modern (2007). Three of the group's singles have reached number-one on the related ARIA Singles Chart: "Tomorrow" (1994), "Freak" (1997) and "Straight Lines" (2007).

Silverchair's alternative rock sound had evolved throughout their career, differing styles on specific albums steadily growing more ambitious over the years, from grunge on their debut to more recent work displaying orchestral and art rock influences. The group had sold close to 8 million albums worldwide.

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